“观潮” 是创立于 2015 年的非营利文化事业，专注于“潮汕世界”的发掘建造和“世界潮汕”的游走串联。
凭借电影这个超越语言、时间和疆域的综合艺术媒介，“观潮” 在收集、研究、分享和生产“潮汕电影”的过程中，通过影像、文字、声音、风物和日常生活的卷入，将脚下这片尚且自洽的文化拼图嵌入多元纷攘的当代情境中；也在社会生产关系的缝隙中寻找实践的策略和试错的可能，持续促成人群的联结和思想的交融，为“家园”的再造提供一种在地性的世界经验。
不同的目标受众和内容组合形成了 “新春观潮” 和 “盛夏观潮” 两大年度旗舰活动，“观潮”在实践中逐步形成了以文化考察团（消化）、影像实验室（生产）、电影嘉年华（供给）、历史档案库（沉淀）为四大支柱的内循环系统。10 年来，“观潮” 见证了百多位潮汕籍 / 裔电影创作者的个人成长和团队成果，不同程度地参与了超过 50 部长、短片电影的创作和制作过程，不断梳理、诠释乃至创造“潮汕电影”的自我叙事和历史认同。
“KwanTeo” was founded as a non-profit cultural initiative in 2015. It dedicates itself to dual cartographic missions: excavating the multidimensional "Teochew World" while dynamically connecting the "Global Teochew" diaspora through transcultural navigation.
Film, as a medium transcending linguistic, temporal, and spatial boundaries, serves as our primary vehicle for collecting, researching, sharing, and producing Teochew cinema. By weaving together moving images, textual narratives, sonic landscapes, material culture, and everyday practices, KwanTeo embeds this self-sustaining cultural mosaic into the vibrant complexities of contemporary life. Within the interstices of reality, we cultivate experimental strategies that spark human connections and intellectual cross-pollination, offering grounded worldly wisdom for reimagining the very concept of "homeland."
Catering to diverse audiences, KwanTeo has organically developed two flagship annual programs: the community-oriented Spring Revels and the professional-focused Midsummer Laboratories. These initiatives form the bedrock of a self-renewing ecosystem sustained through four interconnected dimensions: cultural expeditions that digest heritage, film laboratories that produce narratives, cinema carnivals that share creations, and living archives that preserve legacies.
Over the past decade, KwanTeo has witnessed the creative evolution of over 100 Teochew filmmakers, actively participated in the production of 50+ feature and short films, and persistently shaped the self-narratives and historical consciousness of Teochew cinema through continuous curation, interpretation, and innovation.
陈嘉祥，潮汕人，现位于广州从事影像工作，导演作品《流火记》《长日留痕》。
高静雯，青年导演，编剧，野生电影学习者，策展人。2019年毕业于华南师范大学法语专业，在法国学习电影，回国后任职于多个影视制作公司，担任导演助理和剧本策划工作，参与院线长片《镖》，《坪石先生》的剧本孵化和拍摄制作；拍摄有短片《流火记》，《重逢》。
Chen Jiaxiang, a native of Teochow, is currently based in Guangzhou and works in film and visual creation. His directed works include Echoes of the Long Day and After September.
Gao Jingwen，young director, screenwriter, self-taught filmmaker, and curator. She graduated in French from South China Normal University in 2019 and studied film in France. After returning to China, she worked with several production companies as an assistant director and script developer, contributing to the development and production of feature films Biao and Mr. Pingshi. Her short films include The Record of Falling Fire and Reunion.
余晓妍，1998 年出生于广东汕头。本科毕业于兰州大学新闻与传播学院，研究生毕业于中国传媒大学摄影与制作专业。她的毕业短片《天使逡巡》获得2023年AME影像行动年度佳片。她现为独立影像创作者。
Yu Xiaoyan was born in Shantou, Guangdong Province in 1998. She graduated from the School of Journalism and Communication at Lanzhou University with a bachelor's degree and from China University of Technology with a master's degree Photography and Production major at Communication University of China. Her graduation short film The barking dog won the 2023 AME Image Action Film of the Year Award. Now she is an independent video creator.
杜来顺,1985 年出生在巴黎，2009 年毕业于法国高布兰图像学院（Gobelins, l'École de l'Image）。他执导的第一部动画长片《扶南》（Funan）荣获 2018 年安锡国际动画电影节最佳长片水晶奖。他的第二部作品《陈小姐的森林》入围 2024 年凯撒奖最佳动画短片提名。他的创作深受其中、柬、法三重文化背景的启发与影响。他对身份认同与记忆相关的主题尤为关注，并致力于通过动画提升少数群体的代表性。他最近创立了自己的制作公司—— Shun Studio，致力于创作具有亚洲文化共鸣的影片。Denis 还积极参与社区事务，目前担任法国潮州同乡会副会长，负责青年部及英歌舞表演队。
Denis DO, born in Paris in 1985, he graduated from Gobelins, l’École de l’Image in 2009. His debut animated feature, Funan, won the Cristal for Best Feature Film at the Annecy International Animation Film Festival in 2018. His second work, Ms. Chan’s Forest, was nominated for Best Animated Short Film at the 2024 César Awards.
Drawing inspiration from his Chinese, Cambodian, and French cultural heritage, his work is deeply shaped by these intersecting influences. He is particularly engaged with themes of identity and memory, and is committed to advancing the representation of marginalized communities through animation.
Most recently, Denis founded his own production company, Shun Studio, dedicated to creating films that resonate with Asian cultural sensibilities. He is also actively involved in community affairs, currently serving as Vice President of the Teochew Association in France, where he oversees the Youth Division and the Yingge Dance performance troupe.
黄刚，广东潮汕人，本科毕业于华南农业大学广播电视编导专业，于北京电影学院导演系进修。
短片作品《春雨过境》获北京电影学院学生导演奖金羽奖及美亚新力量奖、杭州青年影像计划最佳导演奖，入围华语青年电影周等。
2020年，《凡夫俗女》（原名《年岁》）入围上海国际电影节创投“青年导演项目”，获上科大-南加大特别关注项目
2022年，担任导演的原创项目《烟花》入围第十六届华语青年电影周“猎鹰计划”项目创投年度十强推介项目，金鸡创投年度特别关注项目。
Huang Gang, a filmmaker from Chaoshan, Guangdong. He studied Broadcast and TV Directing at South China Agricultural University and further trained in the Directing Department at Beijing Film Academy.
His short film Spring Rain Passing By won the BFA Student Director Award (Jinyu Award), the Mei Ya New Power Award, and Best Director at the Hangzhou Youth Film Project, and was selected for the Chinese Youth Film Week.
In 2020, his feature project Ordinary Women (original title: Years) was selected for the Shanghai International Film Festival Co-Financing Market (Young Filmmakers Project) and received the SUSTech–USC Special Mention.
In 2022, his original project Fireworks was selected for the 16th Chinese Youth Film Week “Falcon Project” Top 10 and received Special Mention at the Golden Rooster Film Project Market.
许铭珊，影视制片人、编剧，拥有香港浸会大学电影制作艺术硕士学位 。她深耕影视行业多年，熟悉传统影视工业化全流程，近年更致力于AIGC技术在电影制作流程中的创新与融合 。其代表作品包括纪录电影《滚烫年华》（入选2024年中国金鸡百花电影节展映及“十四五”国家影像典藏工程）以及纪实节目《偏向茶山行》（获国家广电总局优秀网络视听作品推优）。在剧情片创作方面，其编导的短片《回》曾入围戛纳电影节短片角并获86356电影短片交流周特别表扬奖，《三十三路》斩获广州城市影像大赛金奖及最佳编剧奖 。
Xu Nemo is a film producer and screenwriter holding a Master of Fine Arts in Film Production from Hong Kong Baptist University. With extensive experience in the film industry, she is well-versed in the full spectrum of traditional production while actively exploring the innovative integration of AIGC technology in filmmaking. Her representative works include the documentary film Rolling Years (selected for the 2024 Golden Rooster and Hundred Flowers Film Festival exhibition and the National Image Collection Project) and the documentary program Pianxiang Chashanxing (recognized as an Excellent Network Audio-Visual Work by the NRTA). In narrative filmmaking, her short film The Return (Hui) was selected for the Festival de Cannes Short Film Corner and won the Special Mention Award at the 86356 Short Film Week, while Thirty-Three Roads won the Gold Award and Best Screenwriter at the Guangzhou City Image Competition
许纹鸾，新加坡潮州裔电影人，同时活跃在广播电视、商业广告和艺术创作（如AR虚拟现实）等领域。她的短片获奖众多，包括芝加哥国际电影节的银雨果奖（Silver Hugo）、新加坡国际电影节最佳导演奖、新加坡短片奖最佳作品奖，以及东京电影节、首尔电影节和里昂（法国）电影节的大众奖项等。她联合 6 名新加坡著名电影人共同实验的超现实主义电影《Lucky 7》赢得了新加坡电影奖最佳摄影奖。
许纹鸾在新加坡义安理工学院（Ngee Ann Polytechnic）读书期间，受到 Brian Quigley 的指导，接受了叙事与编剧的训练。后来到美国加州大学洛杉矶分校（UCLA Extension）学习色彩科学，并在洛杉矶华纳兄弟（Warner Bros）的 DVD 部门工作。她参与的电影学习（研究）项目包括柏林电影天才项目（Berlinale Talent Campus）、釜山亚洲电影学院（Busan Asian Film Academy）、 金马电影学院（Golden Horse Film Academy）、 东京电影人才项目（Tokyo Talent Campus）以及东南亚电影实验室（Southeast Asian Film Lab）。她曾为鹿特丹国际电影节的“NETPAC”和“New Arrivals”单元担任评委，并继续在亚洲和欧洲多个项目中担任作家、导演、制片人、剪辑师和调色师。为表彰其对艺术的贡献，新加坡国家艺术委员会在 2010 年为许纹鸾颁发青年艺术家奖。
Sun Koh is a Singaporean filmmaker who also works in the area of broadcast television, commercial video production, and arts commissions including VR. Her short films have won numerous awards including the Silver Hugo at the Chicago International Film Festival, Best Director at the Singapore International Film Festival, Best Short Film at the Singapore Short Film Awards; as well as audience awards in Tokyo, Seoul, and Lyon (France). Her surrealist film game Lucky7, which included 6 other prominent Singaporean directors won Best cinematography at the Singapore Film Awards.
Sun was trained in narrative screenwriting at Ngee Ann Polytechnic under the tutelage of the late Brian Quigley, and later learnt colour science at UCLA Extension while on a stint as a DVD programming intern at Warner Bros in Los Angeles. Her film fellowships include Berlinale Talent Campus, Busan Asian Film Academy, Golden Horse Film Academy, Tokyo Talent Campus and Southeast Asian Film Lab. She has served jury duty at the International Film Festival Rotterdam for NETPAC and New Arrivals. Sun was also awarded the Singapore National Arts Council Young artist award in 2010 for her contribution to the arts and continues to work as a writer, director, producer, editor and colourist in projects across Asia and Europe.
郭威铭，广东海丰人，东莞成长，后去往惠州读书，三种文化影响下成长，本科毕业于北电文学系电影剧作专业，创作主要聚焦喜剧与悬疑犯罪两个类型，探讨社会问题下的人物困境。
Guo Weiming is a screenwriter from Haifeng, Guangdong. Raised in Dongguan and educated in Huizhou, he studied Film Screenwriting at the Beijing Film Academy. He writes comedy and crime thrillers that explore personal struggles shaped by social realities.
10个月宝宝每天需要喝多少奶粉？
